Geoffrey Mock of Duke Today writes: To borrow from Cole Porter, Tchaikovsky did it. Beethoven did it. Even Robert Johnson and Ray Charles did it. Creative masters all, they each appropriated music from others in their works and were borrowed from in turn.
James Boyle and Jennifer Jenkins’ new scholarly comic book is a celebration of these and other musicians and composers who crossed barriers and built the playlist of extraordinary Western music from ancient Greece to classical to hip-hop. Published by the Duke Center for the Study of the Public Domain, “Theft: A History of Music,” brings these artists’ musical borrowings to the forefront, saying that instead of stifling creativity, such “thefts” were essential to musical cross-fertilization and creation of new genres.
But the book also comes with a warning: At every point of new musical innovation, there was resistance and efforts to control music, whether it was from philosophers, the church, or politicians.
Read the full article here.
Image Credits: Duke University
[…] all, they each appropriated music from others in their works and were borrowed from in turn. Fonte:https://www.ip-watch.org/2017/04/23/creative-power-musical-borrowing-efforts-control/ Author: William […]