Category IP Policies

Compulsory Licences Positive For The South, With Conditions, Study Finds

Compulsory licences can provide an efficient way to decrease prices of drugs in developing countries but the conditions of issuance of a licence influence the benefits countries can derive from them, particularly if the countries have a technology gap, according to an economic model presented this week at the World Intellectual Property Organization.

MSF Medicines Access Campaign Director Departs; New Director Named

Médicins Sans Frontières (MSF, Doctors without Borders) announced today that it has named a new executive director of its Access to Medicines Campaign, a high-impact advocacy initiative on international public health issues in Geneva and elsewhere. Today was the last day for current Executive Director Tido von Schoen-Angerer, who completed two three-year terms in the role.

G8 Countries Take Hard Line On Counterfeit Medicines

The Group of Eight (G8) industrialised countries recently met to discuss major challenges to the global economy, climate change, food security and nutrition, and political and security issues. And the commitments they made on intellectual property rights reflect their current thinking on the issue.

Governments, WHO, Reveal Industry’s Back-Channel Battle Against Tobacco Legislation

The shadow of the tobacco industry was present at last week’s annual World Health Assembly, featuring the villain in what World Health Organization Director General Margaret Chan called a theatre of the absurd. The tactics of the "evil industry," as she called it, aimed at undermining countries' efforts to implement tobacco control legislations were illustrated with concrete country examples at a side event during the week.

Golden Oldies? South African High Court Looks At What Is “Traditional”

The question of the use of material in the public domain for the inspiration of new works has been complicated in South Africa by legislation which purports to grant retrospective perpetual protection to so-called “traditional works”. A case pending in the South African High Court highlights the question of what is “traditional” and raises the question of to whom music companies will have to look in the future to obtain permission to use anything that smacks of a traditional flavour. Prof. Owen Dean asks: Could this be a disincentive to use traditional material belonging in the public domain and thus slow cultural expression?